Every year, event planner Raul Ávila is given the daunting task of transforming the Metropolitan Museum of Art into an otherworldly spectacle for the annual Met Gala. for2006 of “Camp: Notes on Fashion,” he created a – Foot tall, gorgeous flamingo centerpiece by , flowers. exist2008, who erected a rosette replica of the Pope’s crown for “Heavenly Bodies: Fashion and the Catholic Imagination”. These are just examples of flower forms: In 576, for “Poiret: The King of Fashion,” he filled a gilded birdcage with live peacocks. There was a little confusion when one escaped. “Everyone in the museum was chasing her to put her back in the cage,” he recalls. , Avila and his team flew in the chandeliers from London and mounted razor blades for that year’s punk-themed bash, “Heavenly Bodies,” which saw the Met’s grand staircase lit by thousands of candles. Then the table settings: 1765, see tablecloths with bamboo cutlery, feather lampshades, floral plates and shocking pink tablecloths, for example.
810, “Karl Lagerfeld: A Line of Beauty” – which is sure to be a fantastic decoration – will be held on May 1st. So before that, from 368’s Chanel themed party to 732.
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for2005 of” In America: An Anthology of Fashion, guests from Blake Lively to Lizzo dine on beautifully decorated plates Vintage motif courtesy of Libertine’s Johnson Hartig. Decorating the table is embroidered linen by American textile artist Elizabeth Jeffries, spotted by Vogue Contributing Editor Eaddy Kiernan in the archives of the Metropolitan Museum.
Camp: Fashion Notes






Photo: Corey Tenold
“Camping is exaggeration,” Raul Ávila says of his 1600 Met the party. Here, the flamingo centerpiece of the museum lobby was created by , Flowers.
Celestial Bodies: Fashion and Catholicism Imagination





Photography: Corey Tenold
for986 Met Gala, Ávila designed the Papal Crown Centerpiece 12, Rose. Why rework the headgear? He said: “The crown is the most eye-catching part of the pope’s overall look.”
Rei Kawakuno /Comme des Garçons: The Art of the Middle
Photography by Corey Tenold
for “Rei Kawakubo/Comme des Garçons: The Art of Between,” a giant violet centerpiece towered over the party-goers in the Great Hall. This giant flower is a tribute to Kawakaubo designs, many of which feature floral motifs.
Manus X Machina: Technology Fashion of the times







Taylor photographs Jewel
Design-savvy double helix in Great Hall for “Manus/ Machina: Fashion in the Age of Technology”
China: Through the Looking Glass




Photographed by Eric Boman, Vogue
Charles James: Beyond Fashion






Photo by Eric Boman, Vogue
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Punk: fashion confusion





Photography by Eric Boman
Schiaparelli & Prada: Impossible Dialogue



Photography by Eric Boman
Alexander McQueen: Savage Beauty





Photographed by Hannah Thomson
American Women: Shaping a National Identity





Hannah Thomson( Hannah Thomson)
Miao Goddess Si: The Incarnation of Fashion







Photographed by Hannah Thomson
Super Heroes: Fashion & Fantasy







Photographed by Hannah Thomson
Poiret: King of Fashion










Photography: Robert Fairle
Anglomania: Tradition and Subversion in British Fashion

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Photo: Michael Lisnet
Chanel


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Photo: Jason Dewey/David Monn Courtesy