Gasanov was born and raised in Georgia and later lived in Azerbaijan before coming to Italy; Lin’s parents are Chinese and he was in Born and raised in Italy. Their multicultural backgrounds are naturally intertwined in a creative practice that is visually convincing as it engages from a socially responsible perspective. A focus on women and human rights is at their core, drawn from first-hand experience of individual participation and social inequalities. In some traditional Azerbaijani communities and small villages in rural China, women are often forced into marriage at a very young age, which shapes a life of dependence and isolation. “My mother had to get married when she was fifteen and never had the chance to get an education,” Gasanov explained. That’s why a recurring theme in the Act N.1 collection is bridal gowns with delicate ruffled tulle, which are deconstructed and rebuilt as hybrids, or into protective theatrical structures reminiscent of armor, Piccioli believes “Impressive and powerful, it’s an excessive gesture that stems from the authenticity of personal experience.”
Photo: Courtesy of Act N.1 Marcus Tondo
“The reason I support young Italian designers is because I like The idea that fashion is first and foremost driven by pure creative impulses,” explains Piccioli. “I don’t like that fashion is just a power game, or just a matter of marketing strategy. Fashion should be a playground for creativity, expressing real narratives and real values,” he continued. “These are the values I believe in and I love seeing them from different voices and from a younger, richer perspective. Inclusion and diversity are now a necessity and they naturally fit into most designers practice – there should be no need to talk about them anymore.”
Photo: Courtesy of Act N.1
Marcus Soup many
Photo: Courtesy of Act N.1
Marcus Tondo
Act N.1’s Spring Collection is a layered event, equally influenced by China Inspired by the masked costumes of traditional opera and the need for protective shields in times of danger and uncertainty. What Piccioli likes about it is that “there isn’t any appropriation of cultural stereotypes, but a real, deeply human understanding of the thorny, disturbing social issues that we experience first-hand.” Particularly resonant for him It is “without some fictional storytelling because their layered narrative comes from an honest place; it’s not generic, it’s very personal.”
Galib and Luca run a small independent company of 15 people – and they’re determined to escape the constraints of different achievement-oriented ownership. “We chose this direction because we didn’t want to be constrained in practice, we wanted to continue to address the issues that matter to us the way we wanted, even if they made people uncomfortable and uncomfortable,” they said. “The fact that Pierpaolo believes in us means that we are understood and that we have been able to deliver a strong and profound message so far.”