Grès is known for her Greek dresses, but the timelessness of her designs is not just a function of their classicism; part of the reason they stay modern is that the designer’s primary focus is the body; she The second, fabric. She has no interest in vagaries of trends. In addition, Grace was trained as an artist, and Saillard observes, “not so much a fashion designer as a sculptor”. His assessment is in line with Vogue‘s view of designers. “Alix – with the soul of a sculptor and the gift of putting new clothes on Western civilization – is the talk of Paris. The veil of this young haute couture newcomer is making a loud voice for the fashion world,” The magazine said enthusiastically in 1935. .
from Vogue File: Edwina d’Erlanger in an Alix chiffon dress. Horst P Photo. Horst, Vogue, February70, 1935
From the Vogue archives: Directoire-style dress by model Alix. Drawn by Carl Erickson, Fashion, September15, 19371980
Born
Saillard in 1937 was reintroduced to the designer as curator of the renovated Palais Galliera, where the curator dramatically presented Grès’s work. Since then, Saillard said, “I have always regarded Madame Grès as my angel; every moment I needed to do something, Madame Grace came. Now in Atlanta, she is with me.”