Let’s be honest: period drama romance is great, but fashion is rarely relatable or easily imitated. Shows like Bridgerton and Downton Abbey tend to favor a wide range of clothing attire, choosing to create compositions just for the camera rather than scavenging out Real world and curated outfits. That makes sense for escapist work. The main goal is to transport the audience into a past worth bingeing. But there’s a major trade-off here: you rarely imagine yourself in the shoes of the characters. literally. These clothes are designed to transport you into rich, immersive worlds, not to provide inspiration for your next trip.
Netflix adaptation of DH Lawrence’s classic novel Lady Chatterley’s Lover takes a very different approach to portraying episodes of yesteryear . Emma Fryer, the film’s costume designer, said she was intrigued by a “fresher” visual interpretation of Lawrence’s enduring heroine. Fryer references a number of contemporary brands and inspirations, including Needle & Thread and Zimmermann, to dress Connie Chatterley (Emma Corrin). The result of using popular contemporary brands in a period drama is a playful and occasionally anachronistic today meets yesterday aesthetic. Think 1920 through 2020. One could easily imagine spotting a sweetheart neckline top with Wragby Estate energy at Reformation.
The Crown stars Emma Corrin as Lady Chatterley in romance set to air on December 2 , her main character at the beginning of the novel, is married to the glamorous and wealthy landowner Sir Clifford. Not long after, Sir Clifford traveled to the First World War, where he was seriously wounded and returned home as a wheelchair user. Developments – remember this is the early century – put enormous pressure on the couple’s icy aristocratic marriage. Soon, a disgruntled Lady Chatterley finds herself falling in love with a gruff and mysterious gamekeeper played by Jack O’Connell. What follows is a steamy tale of secret and forbidden cross-class romance and sex that sparked obscenity bans in many countries when it was first published in 1920.
As a woman who reads James Joyce, speaks her mind and prioritizes sexual gratification, Lady Chatterley feels like a modern woman. So it made sense that Fryer decided to dress her in something modern and sensual. Connie wears a variety of bias-cut dresses and skirts in jewel-toned velvet, silk and chenille, available on Net-a-Porter and The RealReal. In one scene, the character wears an electric blue dress boldly adorned with a pink belt. You might see this in Gucci ads from the Alessandro Michele era. A scene of Corrin wearing a star yellow velvet dress is reminiscent of one of the past Sies Marjan collections (RIP). Fryer deftly adapts Lady Chatterley’s 1920 British high society to modern tastes.
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